I mostly use the clipper after the limiter for mastering, as it allows me to dial in a certain amount of that juicy clipped ADC sound, exactly how I want (there are knee and MB separation knobs so you can place the clipping distortion where you want, or hide it pretty much altogether). The kicker is there's also a comp, HF limiter, and clipper modules. The Plug-In is a true peak limiter that offers. Variable release and lookahead like Pro-L. Having crafted and refined your mix, join the growing number of professionals who’ve chosen the new Oxford Limiter V3 to deliver maximum loudness, density and presence - whilst retaining the kind of clarity and transient detail that conventional brick-wall limiting can’t. The wide-band BW mode sounds really good to me though, very natural materiel-dependent release scaling. Personally I like TDR Limiter6 GE, has multi and wide band BW modes, as well as a soft limit mode. I would still use a bit of MB limiter prior to it to get what ever shape you're looking for, as Pro-L (and other similar BW limiters) stay pretty true in all modes. These 68 plug-in titles contain 110 individual plug-ins, which are listed below. With the Oxford Limiter you get all of the upsides - whether youre after transparent peak limiting, loudness maximization or heavier creative effects. Some plug-in titles are collections of more than one plug-in. The dynamic mode is awesome, but I've found a way to create a similar effect by slighting expanding transients just before limiting. Ultimate 10 bundle includes 68 UA-developed plug-in titles up to and including UAD v9.15. The transient response is pure excellence. Didn't try driving it too hard as I just liked what I heard at moderate levels. I demo'd Pro-L and it's pretty F'in good for getting pretty loud, extremely transparent masters.